The Hum
Loudspeaker, aluminum plate, burned and ground bone, single channel video loop
|
Sound installation in the Creative (Un)makings: Disruptions in Art/Archaeology group exhibit curated by Doug Bailey and Sara Navarro. International Museum of Contemporary Sculpture, Santo Tirso, Portugal, 6 March–6 September 2020. Artwork created in collaboration with sound designer Tony Sikström.
Related publicationsBailey, D. & Navarro, S. 2020. Creative (Un)makings: Disruptions in Art/Archaeology. International Museum of Contemporary Sculpture – Santo Tirso. [http://miec.cm-stirso.pt/wp-content/uploads/2020/10/Doug-Bailey-Sara-Navarro.pdf]
Marila, M. 2020. On the nature of the aesthetic in (an) art/archaeology. In Ineligible: A Disruption of Artefacts and Artistic Practice, edited by D.W. Bailey, S. Navarro & Á. Moreira, pp. 105–121. Santo Tirso: International Museum of Contemporary Sculpture Santo Tirso. [http://miec.cm-stirso.pt/wp-content/uploads/2020/10/Atas-Confer%C3%AAncia-Internacional.pdf] Sørensen, T.F., Marila, M. & Beck, A.S. 2024. The mandate for speculation: Responding to uncertainty in archaeological thinking. Cambridge Archaeological Journal 34(4), 621–636. [https://doi.org/10.1017/S0959774323000525] |
Photos: Miguel Ângelo & Lília Machado
|